Film & TV Editor

IATSE Local 700

A man with short dark hair and a beard, smiling and sitting in front of a desk with two computer monitors in a home office. The monitors display video editing software and a video with the title 'The Ghost Flea'. Behind the man, there is a large audio mixing console, a small white box, and various electronic devices. On the desk, there are pens in a holder and a small figurine.
Close-up of a man with short, dark hair and a beard, looking serious, against a cloudy sky background.
A man and woman stand close together by the water, smiling and holding hands, dressed in fishermen's gear with ropes and safety vests, at a dock with boats and wooden structures in the background.
Three men standing outdoors in front of a building, with a car partially visible behind them. The man on the left wears a tan jacket and a patterned shirt, the man in the middle has white hair, glasses, and wears a blue blazer over a red shirt, and the man on the right sports a black cap, red leather jacket, and a mustache.
A man with short hair is seen from behind, standing in front of a wooden wall with a glowing red neon sign.
A group of men, some with serious expressions, gathered in a dimly lit room, with one man in the front wearing a black vest.
An elderly man with a serious expression looking out a window, with trees visible in the background.

I believe the editor’s job starts way before the first frame of footage plays on my screen. Prior to every project, I speak at length with the director & creative team to know what story they want to tell and where they’ve drawn inspiration. Having those guideposts in mind, I scour every frame of footage to piece that puzzle together. I excel at finding the nuances in performance and pacing that enhance each punch, laugh, or dramatic beat. At every step, I’m willing to experiment and try alternate routes.

Whether it's a festival darling or a hit streaming TV show, I'm ready to be your next editor.